Project 13: me: contemporary, straight and unadulterated

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Okay, this is difficult. It’s one thing to use the camera to document my experience and outlook but wholly another to ask someone to photo me. The photo might tell you lots -it documents many things – but it does little to express anything about my outlook. Moreover, this isn’t my photo; I did not create it. But I feel wholly different about this image below.

Emergency (6 of 6)

It might be blurred and monochrome, rather than crisply sharp and in realistic colour but its softness and lack of colour along with my presence being small and surrounded by boxes created by the horizontal and vertical lines express so much more about how I feel. Of course I can’t step outside of myself to determine what either says or evokes in others but do and can know that I am much more comfortable with the latter than the former.

These differences in photographic approaches have been documented by lots of people From Roswell’s Train your Gaze to Durden and Richardson’s Face On. But they mostly focus on the photographer as documenter of another party.

I am having difficultly seeing where this is going just now but will continue to explore.

—————

Angier, R. (2007) Train your Gaze,  Published by AVA Publishing 2007

Durden, M. (Ed) Face On: Photography as Social Exchange, published by Black Dog Publishing Ltd. 2000

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About anomiepete

South Londoner struggling with life, art and photography.
This entry was posted in Projects 13 and 14: My Face; My body and tagged , , , , , , , , . Bookmark the permalink.

3 Responses to Project 13: me: contemporary, straight and unadulterated

  1. Catherine says:

    I can see how he second photograph expresses for you how you feel. Did you take it or did someone else.I think you took it but I’m not sure.

    Liked by 1 person

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